Synchronizing every slider is fast, but it can make a sequence less consistent when the source light changes. The useful distinction is between creative direction and photograph-specific correction.
Build a small representative group before editing the full set: daylight, shade, skin, foliage, warm light, and the most difficult mixed-light frame.
Establish the shared direction
Choose the profile, curve, color relationships, calibration, and grain that define the set. Apply them to the representative files and adjust only the choices that fail repeatedly.
Move repeated creative settings into a preset. Leave Exposure, White Balance, cropping, healing, and most masks outside unless the project genuinely requires fixed values.
Correct each photograph in a fixed order
For every image, set subject exposure, correct white balance, check important highlights, and add one local finish. The order makes differences easier to diagnose.
Use Reference View or side-by-side comparison to match visual weight. Identical numeric values are not the goal when the light changed.
Synchronize in smaller groups
Group photographs by lighting condition or scene, then synchronize the creative settings and any correction that truly repeats within that group.
Review the boundaries between groups. A transition from daylight to blue hour should feel intentional rather than accidentally jumping in brightness or tint.
Edit the sequence, not just individual heroes
Look at the grid and remove frames that repeat the same information. Check whether one unusually saturated or bright photograph breaks the rhythm.
Export proofs at the final aspect ratio and size. Consistency can change when large files become a web gallery, carousel, or printed sequence.